rev-ewe 35 - Man With A Movie Camera

Man With A Movie Camera (Человек с киноаппаратом)
Russia (USSR, technically)
Dziga Vertov

This movie is a full cinematic experience.  It takes on every aspect of film and turns it around and makes exquisite movie love to your eyeballs.  Well, to your whole face, really.  The film is simply an experience more than it is anything else.  There's the slightest hint of a plot, but really it's just an artistic expose of this time and people.

Just by showing life in a 1920s Russian city through specifically chosen clips and edited in a way-ahead-of-their-time manner, the film is able to keep you captured the whole way through.  There were shots I was amazed someone could get at that time considering the technology (bulky ass camera).  Perhaps my favorite was a montage of shots of people doing sports (picture shown) and they're played in slow motion as if he had the same frame rate sports shows do today!  It's absolutely gorgeous, I don't know how they did it, and I quite frankly don't care (No, I do care.. it's amazing!).  The movie seriously is just stunning and can actually be kind of draining the first time through due to its overwhelming awesomeness.

Very experimental style, the score is well chosen, at times too perfect.  It breaks the fourth wall quite often, which I love, and it does it in such a way that helps to tell the sort-of story.  Worth watching if you love to look at beautiful things, love culture/people, or if you're just wanting something really mind-blowing to watch.  I also particularly liked the fact that early animation is incorporated into it.  It must have been unbelievably tedious to do the film, but it paid off.  Just a masterpiece!

rev-ewe 29: And When the Sky Was Opened

Episode 11: And When the Sky Was Opened
"Twilight Zone"
Rod Serling
USA




I'm pretty sure I meant to review only movies on this blog, but dammit this episode was too good. I'm also sure that many, many people have seen this show before, but somehow I slipped through the Twilight Zone until recently. I've been going through the show from the beginning and am constantly being amazed at this show's social commentary, direction style, command of irony and ability to surprise me with an ending. This episode in particular is simply exquisite.
I feel like I don't even want to talk about the plot, only what was absolutely amazing about it. I'm gonna write a bit about my film analysis and plot analysis. Really just my favorite aspects of the episode.



The chronology of the episode was wonderfully chosen. To start with Forbes asking Gart if he remembers Harrington is the perfect way to set it up. It already causes the question for you, is Forbes just crazy? Is this memory his way of dealing with going through something so traumatic as to crash land back on Earth after being shot into space? This really kept the ending a surprise from me, because I'm already used to the psychological issues the Twilight Zone is so apt to present. I was entirely thrilled by the way they used light, angle and good acting to present exactly what's going on at the end. When Forbes suddenly looks up and light comes from below him, after switching from an eye-level angle to a low angle, we all realize he's about to disappear. That there really was a Harrington, and soon there won't be a Forbes or Gart. The angle change reveals a change in perception and suddenly Forbes is aware. He is above where he was before and sees the truth. That was pure genius. They didn't have to say anything out loud or even hit you over the head with it, it just became so obvious. Truly, Gart's acting the moment he realizes it, too, is on point. The absolute shock and dreading on his face is perfect. Knowing that he's about to disappear from existence translated well.



The plot of this episode brought up so many interesting issues I never thought I'd see in a TV show, much less one from the oppressive decade of the 50s. About space travel and most importantly about the media's ability to cover up anything and everything. The fact that they use the newspapers to not only express what the reality of the moment is, it also is our reference point for the disappearance of a character. In addition to the newspaper, Forbes attempts to use a wire he sent to his girlfriend/wife to prove the existence of Harrington. This makes a point about the information we receive and how we receive it. It shows how any form of written communication can be altered and can suddenly create reality. The fact that we look to all written documents as truth. The closing commentary truly reiterates the idea that suddenly, information can just simply be wiped from human memory, whether it actually existed or not. Those men existed and suddenly they didn't, because the newspapers said so. Obviously, the reality in the episode is that something didn't want them to return, and the science fiction cover is beautifully kept intact. However, the use of newspapers really makes the episode about control of information, perhaps mostly by the media. The beauty of this episode is that people can find what they want to find in it. I guess at the time, people were not fond of the idea of space travel, so they could see it as a comment about how we shouldn't go into space because some supernatural force will make you disappear if you do. Serling was always so good at playing into the social thought at the time, while still saying so much more against it. Either way, people could get from it what they wanted. Truly and absolutely brilliant.

rev-ewe 16: Dogtooth

Kynodontas (Greek: Dogtooth)
Greece
Giorgos Lanthimos


uhhh... yeah. This film was a whole lot of weird. The only movie I could think of while watching it was Napoleon Dynamite. But, a darker way creepier version. It had the same awkwardness as N.D. but used it in a way different manner. There was no plot, there was really no conflict, and then it just ... ended. While I will give credit to the film that I did not turn it off and was compelled to see the thing all the way through, at the end I was just unhappy and disturbed. If its point was to do that, it wins. But, for what purpose?

The film focuses on a family that shelters its 3 children to the point where they have no idea what the outside world is like (at ALL) and have stayed only on the premises of their house. When the eldest daughter acquires films from the real world, things begin to change.

I usually like weird, but this was intensely creepy weird and didn't really work for me. Though I may need to see it again, and usually seeing it again makes me like it more, I'm not so sure how long it'll take me to watch it again. It was really, really intense! And just.. crazy. Mindfuck, for sure, but I suppose its point was something along the lines of "don't shelter your children" but.. I don't know. I'd say watch it, but know what you're getting into.. I certainly didn't, and got a whole lot of opened-mouth scenes and NO, NO, NO!! moments.